Tom Baker February 10, 1958: How Do You Make Music Without Substance?

A transcription of Chapter 6 of ‘A Thousand Plateaus’ by Gilles Deleuze and Felix Guattari

George Quasha and Chuck Stein Cut to the Radical of Orientation:

TWIN NOTES ON being in touch in Gary Hill’s [Videosmatic] Installation, ‘Cut Pipe’

Mary Lee Roberts As I Understand It:

Group Psychology (Felix Guattari) and Technological Isolation (Electroacoustic Music Composition and the Unabomber)

Mary Lee Roberts ‘Life Can Never Be Too Disorienting’ (Guy Debord):

Tracing the Situationists as Radical Lifestyle Improvisers, With Suggested Applications for Music Improvisers

Peter Monaghan A Conversation with John Butcher and Wally Shoup

John Rahn Composing and the Sense of Self

Arthur Margolin Epistemological Occasions

Benjamin Boretz Music, as a Music

Mark D. Nelson Enacting Process:

Cage, Zen Buddhism, and Indeterminacy

Bill Brooks and Steve Key Down….Down….Down

Michael Missiras The Transformative Power of Film Music:

Non-Diegetic Musical Considerations in the Film ‘East of Eden’

Ken Morrison Toward the Creation of an Intelligent Machine Improvisor

Luke Howard The Voice(-Over) of God:

Some Thoughts on the Disembodied Voice in Contemporary Music

Dick Higgins Two Scores (Published in Memorium)

Daniel Goode Three Scores, A Poem, and Two Short Essays

Tildy Bayar Having Time, Taking Time, Making Time:

Notes on Three Musics

Mary Lee Roberts Living with ‘music/consciousness/gender’

Ross Feller Ben’s Utopian Time (An essay inspired by ‘music/consciousness/gender’)

Martin Goldray Listening to Jim Randall’s ‘GAP2GAP3GAP4GAP5’

Benjamin Boretz Wiska Radkiewicz’s 60 Minute Exercise

Ross Feller A Review of Salvatore Martirano’s ‘O,O,O,O That Shakespeherian Rag’

Charles Stein Essay on Music (A Poem)