Issue 5 fall 2003
Benjamin Boretz Vignettes of Old Masters II: Arthur Berger (1912-2003)
J.K. Randall On Facing Front
J.K. Randall program note for “shouldn’t we talk?”
Benjamin Boretz One More Little Review (jkr’s “shouldn’t we talk?”)
Alan Rich Books by Arthur Berger and Paul Bowles
Newton Armstrong and Dániel Péter Biró Reports from LITSK 2003 at Princeton
Tildy Bayar Department of Space and Land Reclamation (West)
Julia Heimerdinger Zeitkratzer and experimental programming
Martin Supper Simone Heilgendorff: Experimentelle Inszenierung von SPRACH und MUSIK
Elaine Barkin “when you label me, you negate me” — Søren Kierkegaard
Eric N. Peterson Inside/Out: A Response to I/O
Howard S. Becker The Power of Inertia
Renée Coulombe The Tao of (Free) Improvisation
Robert Paredes After…In…After
Charles Stein A Note on Leahy and Boretz
Charles Stein Many Hungers from the Gender Garden
Joel G. Taylor In Praise of Lou Harrison
Elaine Barkin Thoughts About Lou Harrison and His Music
Andrew McGraw The Balinese New Music Scene, Summer 2001
David Borgo Between Worlds: The Embodied and Ecstatic Sounds of Jazz
Ross Feller On Busking, or, the Body and Soul of Street Performance
Martin Brody The Will to Connect: Wolpe’s Theater of Action and Memory
Jean-Charles François Stefan Wolpe’s Dual Thought
Erik Ulman Considering Feldman
William Anderson Hausmusik
Yvon Gilles Rap, Techno: Pathos and Politics
John Rahn Chloe’s Friends (a symposium about music and mathematics)
Michel Ratte Rereading Improvisation: Improvisation and Form
Chris Williams and Ben Carson On the Piano Music of Benjamin Carson
Chris Delaurenti “I am the Messiah”
Benjamin Boretz Is Music Necessary?
George Quasha art is…
J.K. Randall What Is It about ‘About’?