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Issue 10 | Issue 8 & 9 | Issue 7 | Issue 6 | Issue 5 | Issue 4 | Issue 3 | Issue 2 | Issue 1
28 compositions in memoriam
open space and perspectives of new music
PNM/OS cd 3
and
milton babbitt
a composers’ memorial
scores and texts
to his memory
perspectives of new music vol. 49/2 bis (supplement)
The O P E N S P A C E magazine
special issue 14, spring 2012
Elliott Carter: Tre Duetti
Rolf Schulte, violin; Joel Krosnick, cello
Martin Boykan: for Milton
Martin Boykan, piano
Matthew Barber: Call it What You Will
for violin, piano, computer, in 7 movements
Chun Chim (David) Leung, violin;
Zuzanna Szewczyk Kwon, piano
Joan Tower: Steps
Melvin Chen, piano
Carlton Gamer: Duetude
Paul Nagem, flute; Sergei Vassiliev, clarinet
Samuel Adler: for Milton
Michelle Ross, violin
Joel Gressel: Is it Serious?
for computer
Rolf Schulte, violin; Joel Krosnick, cello
Martin Boykan: for Milton
Martin Boykan, piano
Matthew Barber: Call it What You Will
for violin, piano, computer, in 7 movements
Chun Chim (David) Leung, violin;
Zuzanna Szewczyk Kwon, piano
Joan Tower: Steps
Melvin Chen, piano
Carlton Gamer: Duetude
Paul Nagem, flute; Sergei Vassiliev, clarinet
Samuel Adler: for Milton
Michelle Ross, violin
Joel Gressel: Is it Serious?
for computer
Robert Morris: Odds and Ends
Ashlee Mack, piano
Stephen Dembski: for toy piano
Ju-Ping Song, piano
Paul Lansky: fingertips
Mihae Lee, piano
Elaine Barkin: Xtet: Last Dance for Milton
MIDI
J. K. Randall: The Way It Was
MIDI
Benjamin Boretz: The Memory of All That
a sonnet of John Donne for Milton Babbitt
Megan Berti, mezzo-soprano; Zuzanna Szewczyk
Kwon, piano
Andrew Mead: in memoriam M. B.
Maria Sampen, violin
Ashlee Mack, piano
Stephen Dembski: for toy piano
Ju-Ping Song, piano
Paul Lansky: fingertips
Mihae Lee, piano
Elaine Barkin: Xtet: Last Dance for Milton
MIDI
J. K. Randall: The Way It Was
MIDI
Benjamin Boretz: The Memory of All That
a sonnet of John Donne for Milton Babbitt
Megan Berti, mezzo-soprano; Zuzanna Szewczyk
Kwon, piano
Andrew Mead: in memoriam M. B.
Maria Sampen, violin
Hilary Tann: On Ear and Ear
Matthew Jones, viola; Annabel Thwaite, piano
Hubert S. Howe: Clusters
computer
Matthew Greenbaum: Double Song
Stephanie Griffin, viola
John Melby: for Milton
computer and soprano; Patricia Sonego, soprano
Warren Burt: the shape of the voice I: Milton
Babbitt for computer
Elizabeth Hoffman: red is the rows
Conrad Harris, Pauline Kim Harris, violins
David Saperstein: for Milton
Peter Jarvis, vibraphone
Matthew Jones, viola; Annabel Thwaite, piano
Hubert S. Howe: Clusters
computer
Matthew Greenbaum: Double Song
Stephanie Griffin, viola
John Melby: for Milton
computer and soprano; Patricia Sonego, soprano
Warren Burt: the shape of the voice I: Milton
Babbitt for computer
Elizabeth Hoffman: red is the rows
Conrad Harris, Pauline Kim Harris, violins
David Saperstein: for Milton
Peter Jarvis, vibraphone
Wayne Slawson: Tints for Milton
computer
Eleanor Cory: Things Are
Jayne Rosenfeld, flute; Stephen Gosling, piano
John Aylward: Compulsive Loves
Mary Joy Patchett, alto saxophone; John McDonald, piano
James Romig: Ferocious Alphabets
Ted Gurch, Bb clarinet; Helen Hwaya Kim, violin
Newton Armstrong: Too Slow
Mark Knoop, piano
Christian Carey: for Milton
John McMuretry, flute; Ashlee Mack, piano
Laura Karpman: Now All Set
jazz ensemble
computer
Eleanor Cory: Things Are
Jayne Rosenfeld, flute; Stephen Gosling, piano
John Aylward: Compulsive Loves
Mary Joy Patchett, alto saxophone; John McDonald, piano
James Romig: Ferocious Alphabets
Ted Gurch, Bb clarinet; Helen Hwaya Kim, violin
Newton Armstrong: Too Slow
Mark Knoop, piano
Christian Carey: for Milton
John McMuretry, flute; Ashlee Mack, piano
Laura Karpman: Now All Set
jazz ensemble
SCORES and NOTES
Samuel Adler: In Memory of Milton
Newton Armstrong: Too Slow
John Aylward: Compulsive Loves
Matthew Barber: Call It What You Will
Elaine Barkin: XTET: Last Dance for Milton
Benjamin Boretz: The Memory of All That:
a sonnet of John Donne for Milton Babbitt
Martin Boykan: Milton Babbitt in Memoriam
Warren Burt:The Shape of the Voice 1: Milton
Babbitt
Christian Carey: For Milton
Elliott Carter: Tre Duetti
Eleanor Cory: Things Are
Stephen Dembski: Trio for toy piano
Brian Fennelly: Babbittelle
Carlton Gamer: Duetude
Matthew Greenbaum: Double Song
Joel Gressel: Is It Serious?
Elizabeth Hoffman: red is the rows
Hubert Howe: Clusters
Laura Karpman: Now All Set
Paul Lansky: Finger Tips
Andrew Mead: In Memoriam M. B.
John Melby: For M. B.
Robert Morris: Odds and Ends
J. K. Randall: The Way It Was
James Romig: Ferocious Alphabets
David Saperstein: Vibraphone Solo VI
Wayne Slawson: Tints for Milton
Hilary Tann: On Ear and Ear
Joan Tower: STEPS
Rolv Yttrehus: Laudate Milton Babbitt
TEXTS
Jeffrey Kresky: Soft Speaking
Nathan Shields: Remembering Milton
Benjamin Boretz: Milton Babbitt and the American Mainstream
Benjamin Boretz: On Milton’s Language
Elaine R. Barkin: Conversation Piece
Carlton Gamer: Milton at the Princeton Seminars: A Remembrance
Martin Brody: The Age of Milton
Benjamin Boretz: What did Milton mean by
his music?
Andrew Mead: Making Connections
Robert Morris: Structure and Infra-Structure
in Milton Babbitt’s Music
[Download Accompanying Materials]
Samuel Adler: In Memory of Milton
Newton Armstrong: Too Slow
John Aylward: Compulsive Loves
Matthew Barber: Call It What You Will
Elaine Barkin: XTET: Last Dance for Milton
Benjamin Boretz: The Memory of All That:
a sonnet of John Donne for Milton Babbitt
Martin Boykan: Milton Babbitt in Memoriam
Warren Burt:The Shape of the Voice 1: Milton
Babbitt
Christian Carey: For Milton
Elliott Carter: Tre Duetti
Eleanor Cory: Things Are
Stephen Dembski: Trio for toy piano
Brian Fennelly: Babbittelle
Carlton Gamer: Duetude
Matthew Greenbaum: Double Song
Joel Gressel: Is It Serious?
Elizabeth Hoffman: red is the rows
Hubert Howe: Clusters
Laura Karpman: Now All Set
Paul Lansky: Finger Tips
Andrew Mead: In Memoriam M. B.
John Melby: For M. B.
Robert Morris: Odds and Ends
J. K. Randall: The Way It Was
James Romig: Ferocious Alphabets
David Saperstein: Vibraphone Solo VI
Wayne Slawson: Tints for Milton
Hilary Tann: On Ear and Ear
Joan Tower: STEPS
Rolv Yttrehus: Laudate Milton Babbitt
TEXTS
Jeffrey Kresky: Soft Speaking
Nathan Shields: Remembering Milton
Benjamin Boretz: Milton Babbitt and the American Mainstream
Benjamin Boretz: On Milton’s Language
Elaine R. Barkin: Conversation Piece
Carlton Gamer: Milton at the Princeton Seminars: A Remembrance
Martin Brody: The Age of Milton
Benjamin Boretz: What did Milton mean by
his music?
Andrew Mead: Making Connections
Robert Morris: Structure and Infra-Structure
in Milton Babbitt’s Music
[Download Accompanying Materials]
The generous support of The Department of Music of Princeton University toward the publication of this volume is gratefully acknowledged.
The Open Space Magazine, Special Issue 14. Published April 2012 by Open Space
29 Sycamore Drive, Red Hook, NY 12571. ISSN #1525-4267.
postmaster@the-open-space.org
University of Washington / MUSIC, Box 353450 /Seattle, WA 98195-3450
pnm@u.washington.edu
© 2012 by Perspectives of New Music, Inc.
4 CD set:US $45.00 | |||
Book:US $45.00 | 4 CD set and book:US $80.00 |