Issue 3 spring 2001
George Quasha Axial Stones
Ross Feller Realism Terrorism: mistaking signs for what they represent
(in memory of Herbert Brün)
Agostino di Scipio “… composer est une bataille…” –pour la paix. Paragraphs on Xenakis
Charles Stein For Marcia Lind (1951-2000), philosopher-scholar
Tom Baker An Insterstitial Music
Daniel Charles Postmodernism and the History of Music
Robert Morris Some things I learned (didn’t learn) from Milton Babbitt,
or why I am (am not) a Serial Composer
Paul Lansky Happily Listening (on Randy Hostetler)
John Rahn Iannis Xenakis: Regard, Disregard, Liberation
Mary Lee Roberts Being Around Brenda Hutchinson
Tildy Bayar Review of ‘Bitstreams’ and ‘010101’ (Digital art in New York and San Francisco)
Joel Chadabe Reflections on Iannis Xenakis
Robert Paredes Re: view of Harry Partch
Eric Peterson The Tangible Scientific Model as Quasi-Experiment:
Applying the ‘Mediating Model’ Concept of Johns-Hopkins-Style Clinical Sexology of Gender Identity Formation
James Harley Iannis Xenakis: A Personal Memorial
Elaine Barkin Colloquy and Review / Ten Texts
Linda Kernohan Talking About Music: A Little Song of Dissent
Martin Supper Notes on Interaction and Computer Music
J. K. Randall It’s All Yours/ a note on Gap6
Benjamin Boretz I / O
Robert Reigle “Music Universe, Music Mind: Revisiting the Creative Music Studio”, by Robert E. Sweet
Gavin Borchert New Recordings from Seattle-based Labels
Tom Dill “Songs in the Key of Z: The Curious Universe of Outsider Music”, by Irwin Chusid
Mary Lee Roberts “American Music in the Twentieth Century” by Kyle Gann, “Arcana: musicians on music” by John Zorn
Benjamin Boretz Introduction for “Music Inside Out”, an anthology of texts by John Rahn
Alvin Curran Reflections of an American Composer at the End of the Twentieth Century
Franz Kamin “Colors”: A Performance Poem
J. K. Randall To the Township Committee
Charles Stein Notes